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Blanka Wittmann
 
100 mm x 30 mm
Polymer clay, cotton

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Seegang by Franz Ehn

A wave cast in gel, modelled on the gel candles found in craft shops and living rooms around 2000, glass dolphin included. There is no wick. In every curve the block starts to wobble, showing the forces acting on the cargo. The cast wave stays still; the train makes the swell.

100 mm x 30 mm
candle gel, glass

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Ida Westh-Hansen
 
100 mm x 30 mm

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Chromodoris by Stephanie Kneissl
 
100 mm x 30 mm

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Johanna Pichlbauer
 
100 mm x 30 mm
 

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Slow travel by Julia Harbada
 
100x30x50mm
stone snail

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Juri Velt
 
100 mm x 30 mm
[Material]

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Leo Mühlfeld
 
100 mm x 30 mm
 

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club coach by Mia Meus

For years I've collected images of clubs + audio systems with their regular arrangements of buttons, knobs, speakers or simply repeated arrangements of single units. For just as long, I've had a series of sculptures & furniture pieces derived from them sitting in my drawer. There's something I really enjoy about symetrical and precise assemblages existing in odd contrast to buzzed clubs, sweaty venues and messy backstage areas. Maybe I'll get to build them soon — until then, the little wagon here has to do.

100 mm x 100 mm x 30 mm
PLA, Acrylic

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Bubble Trouble by Rimon Alyagon-Darr & Christoph von Berg

Our wagon takes inspiration from glass and plastic culture, bringing together the aesthetics and materials of plastic toys with glass filigree and net-working techniques. As the wagon moves, a tiny glass wheel dips into soap, collecting a thin film that can be blown into bubbles by the observer, inviting you to play with this tiny glass-plastic hybrid.

100x30x70mm
acrylic tank with a thin glass wheel hanging in the middle of it. The tank is light, but will be a few hundred grams with the soap liquid inside.

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miniature by Simone Werger

This miniature sculpture reflects my ongoing practice of creating voluminous, ultra-lightweight furniture objects. Like my furniture pieces, its color scheme is inspired by 1970s automotive paints – presented here in original Ford Cordoba Beige.

97x55x82mm
XPS (extruded polystyrene), cement coating, 1K automotive basecoat (Ford Cordoba Beige), high-gloss PU seal

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Starliner by Andreas Palfinger & Aysin Bahar Sahin

高速让生活更美好

100x30x50mm
[Material]

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Ladies only, smoking, non-smoking by Alice Klarwein

It started with a solid gold chicken egg. It had white enamel on the outside and an egg yolk of solid gold, with a miniature chicken figurine inside. The eggs, commissioned by Tsar Nicholas II of Russia from Peter Carl Fabergé as Easter gifts for his wife and mother, quickly developed into more symbolic presents, time capsules stating events of historical significance. One egg, presented to Empress Alexandra Fedorovna in 1900, stated the significance of the Trans-Siberian Railway - a connection between East and West - displaying a miniature Railway made from solid gold with diamonds and rubies inside a silver egg. During the First World War the Fabergé factory was commissioned to craft ammunition and war supplies made from copper rather than jewellery. Copper is a cheap and soft metal that is easy to shape and durable, alongside its practical attributes as a raw material, it is a more affordable base material for enamel. The train waggon is a comment on the Trans-Siberian Railway as a project with great tension, glamour and of unseen size. Nowadays, the railway travel on this route has lost its appeal and charm due to travel sanctions and the Russian invasion of Ukraine, which has increased the transport of military goods again. The formerly displayed golden carriages inside the egg must be turned inside out, and become a copper waggon transporting eggs. From a train hatching from an egg, to a train transporting eggs as an economic good.

50x38x115mm
copper plate, enamel, aluminium, glue, quail egg

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Christoph Wimmer-Ruelland
 
100 mm x 30 mm
 

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Cheese Express by Filzmäuse

“Next stop” exhibition brings you to the train of Filzmäuse, where group of 4 mice are on a heist of cheese. Irrespective of quality, the shear motivation drives their zeal to steal. The work consist of two felted cheeses each with two mice on it.

100x30mm
Felted wool, cotton rope

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tiny googly moogly by Laura Dominici & Basil Schu

The cloud appears as a distinct entity, suspended in the sky. It can be referred to as ‘the cloud’. Calm and sluggish, it lies there, soft as a cushion awaiting you. No sooner do you approach it, in an aeroplane, or indeed does it approach you, as mist. So it dissolves into icy winds, cold droplets; it is no more. It is wind; it is anything but there, but always in motion.

115x55x55mm
Silicone

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"screw transport" by Julian Paula

This two-axle flat wagon, covered with wooden planks, is transporting the world’s largest hex bolt - M1392 × 4785.

100x30x45mm
wood, hex bolt, tape

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Everything Must Go! by Mo Tong

[Beschreibungstext des Wagens hier.]

100 mm x 30 mm
Acrylic, Motor, A4 Battery, Cotton thread, Cardboard, Walnut wood

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ashes to ashes by Leonie Holtkamp

The wagon is inspired by Ashley, a character from the musical Starlight Express. She represented the smoking carriage as part of the original train set in Bochum, Germany, from 1988 to 2018. Her character was removed when the production and storyline were updated in 2018. Smoking carriages have been banned in Germany since 2007, and with the title 'ashes to ashes', I want to pay my last respects to Ashley and honor her legacy.

100x40x70mm
PLA, spray paint, lighter, cigarettes, ash

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Spucki by Theresa Hattinger

The Spuckpalme abruptly hurls its seeds away. Very audibly they fly up to several metres. As a houseplant, it spreads in this way to its neighbours’ pots. Consequently, it is now setting off on an even bigger journey. After all we live in a globalised economy.

100x30x110mm
Seedlings of Euphorbia leuconeura (in german also called Spuckpalme), potting compost

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Organiser-train by Néphéli Barbas

It's half a wagon, half an idea organiser.

100x30x50mm
[Material]

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Dancers by Jonas Morgenthaler

[Beschreibungstext des Wagens hier.]

50x125x40mm
Cavity dowels, 2K-epoxy glue, glitter glue, spray paint, clear varnish, foil, felt-tip pen, plastic

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[Titel] by Stefan Schönauer

Sticky, glossy, nicotine-stained iconographic paraphernalia. Think inherited gold jewellery (never cleaned), figurative porcelain and dripping in saliva.

120x52x97mm
three faces, one hand. polymer clay, chalk pastels and acrylic paint on model train

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NO BORDERS - NO BULLSHIT by Matylda Krzykowski

The work carries two oversized ambitions: NO BORDERS on one side, NO BULLSHIT on the other. It turns the language of protest into a deadpan miniature, where something refuses to play along.

100x30mm
2 cardboard signs made by an Austrian bookbinder

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ALWAYS / TOO LATE by Paul Troppmair

"ALWAYS TOO LATE – NEVER TOO LATE FOR CHANGE." This piece uses a stripped-back, minimalist industrial aesthetic to address the tension in global ethics and climate action today. One side of the cargo wagon reads ALWAYS, while the opposite side and top spell TOO LATE. Subversion occurs in the details: fine lettering along the frame resolves the phrase into a call for agency: never too late for change.

100x30x65mm
My wagon is using the original wagon exterior, but has been altered with a new paint job and graphics. On top of the wagon sits a three-dimensional abstract lettering that spells: TOO LATE.

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Alexandre Delasalle
 
100 mm x 30 mm
 

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Pigeon Voyageur by Olga Flor

Inspired by the omnipresence of pigeons in the city and the french name "Pigeon Voyageur" that stands for Traveling pigeon, this wagon had to be connected to this fascinating and often unappreciated bird. Giving it the train ride is an ode to the skilled homing pigeons that have been used for distance communication up until the beginning of our century.

100x30x50mm
Sculpted into soapstone

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Fleurop Express by Marie Radke

Fleurop Express sends flowers to loved ones by express delivery. The vase undulates like a long ridge of fields, setting floral goods in motion.

100x30x120mm
PLA 3D Print

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Ornamental Welding by Anna Zimmermann

The wagon is made from an aluminium profile with visible welded seams. The technique comes from my series Ornamental Welding and is applied here to the wagon. To me, the welds look a little like drops of water running across a train window during a journey.

300x300x100mm
Aluminium, welded

 

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Tile Transporter by Anaïs Eriksson

Spezialniederflurwagen für den Transport von Fliesen. Hellbeige, Minzgrün, Mandarinorange und violettblaue Grundfarbgebung, marmoriert. Betriebszustand ab 2026.

Special low-floor wagon for the transport of tiles. Marbled in light beige, mint green, mandarin orange, and violet-blue. In operation from 2026.

100x30x30mm
colourful tiles out of polymer clay on styrofoam

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Norma Wagon by Norma Kiskan

A wagon with my face on it.

100x30x30mm
Paper and glue

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Nekonomics by Julia Hahnl & Guilain Delanoue

The wagon, made during our travels through Japan, is built from electronic parts taken from gacha toys and inspired by their mechanics. The work looks at how cats (neko) move between symbol, cuteness, luck, and value, and how cultural symbols can move from sacred and familiar contexts into mass-produced commodities, souvenirs, and endlessly circulating images.

30x100x110mm
epurposed gacha toy electronics, PLA, paper, glitter, maneki-neko figurine

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Personenzug by Klaus Bachmann & Ludwig Bachmann

fragment of a faraway planet: priceless. plastic miniatures, archive item from 1986

100 mm x 30 mm
rock, plastic

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love from Marseille by Melissa Mariller

The design of my wagon is inspired by antique regional furniture, in which friezes and heart motifs are recurring elements.

100x30mm
resin

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Julia Schwarz


100 mm x 30 mm  

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Lillian Furrer
 
100 mm x 30 mm
[Material]

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Eigenheim in Fahrt (Home in Transit) by Felix Ganzer

A house with grey block walls, exposed rafters and a lone patch of red roof tiles is mounted on a model-railway flatcar, while an architect shovels on the upper floor. The house is in motion, putting the dream of a home on rails.

100 mm x 30 mm
Modified model-railway components, paint, synthetic hair